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Hudson wasn’t her only notable leading man during this period she shared the screen with David Niven in ‘Please Don’t Eat The Daisies’ (1960), Cary Grant in ‘That Touch Of Mink’ (1962), and with James Garner in ‘The Thrill Of It All’ and ‘Move Over, Darling’ (both 1963).
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#Youtube doris day que sera sera movie#
A couple of years later, Day had her last major hit record with the delightful Everybody Loves A Lover, but by then her film career had taken precedence anyway.ĭay’s movie career struck its apex with a series of romantic comedies where she was teamed with Rock Hudson: ‘Pillow Talk’ (1959), ‘Lover Come Back’ (1961), and ‘Send Me No Flowers’ (1964). Although the advent of rock and roll slowed Day’s constant assaults to the upper reaches of the pop hit parade somewhat, she had a mammoth seller in 1956 with the lilting Que Sera, Sera (Whatever Will Be, Will Be), from the Alfred Hitchcock-directed thriller ‘The Man Who Knew Too Much,’ where she co-starred with James Stewart (the song won an Oscar). ‘Love Me Or Leave Me,’ Day’s starring turn in the dramatic 1955 bio of singer Ruth Etting, proved that she could do more than dazzle in frothy musicals. It hailed from her movie ‘Calamity Jane,’ where Day played the raucous title role. Day’s ’54 hit haul was led by her tender ballad Secret Love, a chart-topper not only at home, where she registered nine hits in all that year, but in Great Britain too. 1953 brought seven more chart bows including two more duets with Ray. Her eight ’52 hits included duets with Frankie Laine, Donald O’Connor, and Johnnie Ray and the solo #1 A Guy Is A Guy. Her biggest in 1949 was Again Hoop-Dee-Doocracked the Top Ten the next year (it was but one of her seven chart entries in ‘50), and Day scored big in 1951 with Would I Love You (Love You, Love You)and Shanghai. Day quickly developed into a major musical film star, lighting up the screen in ‘Tea For Two’ (1950), ‘On Moonlight Bay’ (1951), and the hugely popular ’51 release ‘I’ll See You In My Dreams,’ the film bio of songsmith Gus Kahn.ĭay’s lengthy solo recording career at Columbia was filled with hits. A couple of months earlier, her duet with Buddy Clark, Love Somebody, had climbed to the peak of the pop hit parade. Her first role came in director Michael Curtiz’s 1948 musical ‘Romance on the High Seas.’ Its soundtrack included Day’s first big solo seller, It’s Magic, the work of Jule Styne and Sammy Cahn (they had recommended her for her part in the film). Since Brown was Bob Hope’s bandleader, there was plenty of radio exposure for the young vocalist.ĭay segued into movies despite having no acting experience. It wasn’t her only trip to the winner’s circle with Brown’s outfit-she also scored with My Dreams Are Getting Better All The Time(her second chart-topper), Till The End Of Time, and Aren’t You Glad You’re You?(several more hits with Brown transpired over the next couple of years). The latter was where Day got her big break: she fronted Brown’s orchestra on a 1945 rendition of Sentimental Journeyfor Columbia that became a huge seller. After Rapp, Day took similar singing posts with the big bands of Jimmy James, Bob Crosby, and Les Brown and His Band of Renown. Local bandleader Barney Rapp hired the newcomer to replace his pregnant wife as his orchestra’s ‘girl singer.’ Rapp changed her surname to Day, inspired by one of the numbers she sang, Day After Day. Before long, the newly minted chanteuse was appearing on local radio and at a Chinese restaurant that featured live music. Her mother encouraged her, hiring a music teacher, Grace Raine, for her sidelined daughter. During her extended period of healing, Doris began singing along with the big bands she heard on the radio, just for fun (Ella Fitzgerald was her favorite singer). She was born in Cincinnati on Apand initially cultivated an interest in dance, but that was curtailed by a 1937 auto accident that injured her leg. And before she became one of America’s most bankable film actresses, Day, who died on Monday, May 12 in 2019 at the age of 97, was a popular recording artist whose career commenced as a singer with several notable big bands.ĭoris Kappelhoff was her maiden name. In her later years, Day’s energies were largely channeled towards the welfare of the animals she loved. On the silver screen, she represented the woman every man wanted, or at least should have wanted-smart, sweet, and beautiful. Jewelcases / Trays / Protection jacketsĭoris Day radiated goodness.